posted by teoman at 3:37 PM
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Saturday, December 23, 2006
Friday, December 22, 2006
ARTTODAY
Monday, December 23, 2006teoman madra http://newmediakitchen.com namoet2@gmail.com tmadra@turk.net
started with a photographic and visual access, late 1963 to be creative with technology became an adamant obsession
maybe in togetherness with new jazz within a semiconsiousness of insight being also rhythmically getting reshaped. thru
radical contemporary music.. all the new art movements of so many decades were for me all plus values... however artists
like hartung, mathieu, paul clee, mıro, kandinsky, bridget riley, man ray, pollock, wilhemn de kooning, mondrian etc became
suddenly like big masters for me just appreciatintnn.netg them as if i were doing some art beyond their achievement... next
to the kinetic art, fluxus art movements, other arts .- arte povera etc ...my photographs still were seeming like my own
personal additions to these..
in 67 i participated for one month to the 5. paris biennale, in 1980 i did workshops in graz and munich with multi media
video art shows and visited at four consecutive occasions the venice biennales from 1988 on and later ones to make
complete photo coverages
the essential basic and theoretical aspect still remaining mysterious to me as the musical fifty percent of my works is new
jazz, contemporary modern music world wide, namely jcage, ligeti, berio, boulez, xenakis, penderecki etc and techno music
and other electronic musics all constituted as most valuable constituents of the utopia multi media art today...
as for the technological landslides that were available for practicing video, EARLY COMPUTERS, present pc's and the
internet were all positive new mediatic accomodations fearlessly to rely upon. however i figured out that artistic applications
that is acquired with try and see approaches are better and further approvable. for the acquisitions of these new arenas of
sensitivities...also, like some people underline it with special care, all new environments were to be faced or attacked to as
series of new possibilities, with tolerance and quite smoothly and experimental min
get
TEOMAN MADRA
multi media show 2006
çok ortamli gösteri
4. Akdeniz Ülkeleri Çagdas Müzik Günleri /4. Mediterranean Countries
Contemporary Music Days - Borusansanat Kültür Merkezi
2.Kat - 2nd. floor
7 Aralik 2006 / 7 December 2006
17.30-18.30
eslemeler/couplings
Teknolojik gereç ve deneysel yorumlarla üretilen imgelerin ve müzi?in izleyiciyle karsiliklilik temelinde bulusmasi amaçlanmaktadir.
A fundamental reciprocity is aimed in reaching the viewer through music and images produced with technological and
experimental means
Bagimsiz olarak simultane senkronize düzenlenen iki sey aninda yeni bir asamaya geçebiliyor. /
Two things running concurrently suddenly synchronize autonomously and bring you into a new phase
Teknolojide yinelenen temponun tüm ekonomik getirilere karsin, bir çok asamada sanatsal düzeyde irdelenmesi de ayri bir güncel sorumluluk oluyor. Figüratif fotografta, fotogram ötesi deneysel islerde ve pc yazilimiyla elde edilen yeni grafik
çesitlemelerde sanat için üretilen görüntüler özellikle yeglenmistir. / Artistic concerns may very well be endeavoured with
technological tools, nowadays.. For photography one can always be creatively within the technology and search for
aesthetic results, as a new media artist and get the advantages of many possibilities
Alintilari kullanian besteciler / selections on track bases were done from :
JOHN CAGE, ZEYNEP GEDIZLIOGLU, ALPER MARAL, ILHAN MIMAROGLU, ALI PERRET,
MARIE SAMUELSSON, METE SAKPINAR, ILHAN USMANBAS,, nmk -SOUND ART PROJECT IN
TURKEY4- (2004-6) multi.media.artist/teoman madra spq@tnn.net
NMK clips 2006
new music selections today and new photography from teoman madra archive are chosen as art works for computer based
new media shows... pc softwares that having been practiced with are: windows movie maker, memories for tv3, sound
forge 8.0 and adobe premiere 2.0 photographs: figurative and nonfiguratives ones include as well experimental and
computer based digital compositions photo cameras and computer softwares can better be handled as new media tools
with unorthodox experimental approaches e.g. macromedia freehand 9.0, fireworks 8.0, photoshop 6.0 and netscape 4.79
/ computer based graphics, random flash light photogramms result with similar aesthetic sensitivities support multimedia
shows with expanded energy in togetherness next to both acoustic and digital new music compositions... nmk clips are to be
displayed as performance art (postmodern installations)... and as in a special concept of -purposeful purposelessnesses-
(idea from 'silence' of j cage)
new music selections for nmk clips range with a wide new musicl selectivity possibilities. composers and musicians in multi
media juxtapositions... however next to multi media targets and varieties of selections all departures from traditional archives
will seem to prove their new displays very interesting and most interactive. musical tracks of random musical selections of
new music realizations in different movem ents, various historical times, locations and other creativity instances includes
other tunes, melodies and sensitivities at quite contrasting and wonderfully amazing performances with diverse successivities
and odd coupplings that you would witness at your turns... should repetitive auditions of these rare musical performances be
realized at large and in abundance, it will only bear better consequences and less boredom
(interdisciplinary constituent ingredients of nmk multi media clips that provide examples of computer based least standard
and further anarchic, interactive, alternative art entertainments... to escape the chaotic, mechanized routine setup of the new
technology city life and highly computerized surroundings of modern conditions today, your simple and only chance is
definitely here... just be creative and playful with all your updated softwares and new tools towards random creativities and
for joy for some changes),,,
string 4tet in four parts-1948-, music of changes for david tudor-1951-, sonata and interludes prepared piano 1985, fontana mix, dream music, music for marcel duchamp, double music, one etc. JOHN CAGE, piano and flute from christian
wolff with lou harrison MORTON FELDMAN, for pianistwith frederick rzevski CHRISTIAN WOLFF,ionisation
EDGARE VARESE, emationen PENDERECKI, XENAKIS, klavier stuck XI lSTOCKHAUSEN, ERIC SATIE, musica
ricercata 1953, studies for piano GYORGY LIGETI, GYORGY KURTAG, studies for player piano CONLON
NONCARROW, the scratch orchestra CORNELIUS CARDEW, csonata PIERRE BOULEZ,big ensemble taller de
musics conduction no.92 LAWRENCE BUTCH MORRIS, ciaccone SOPHIA GOUBAYDALINA, mimiana 2
BULENT AREL, benim sevgili viyolosellerim, piano üçlemesi, sahilde çakil taslari, string quartet ILHAN USMANBAS,
string quartet ALI DOGAN SINANGIL, viola digitale, once upon a..., hyperflute, su METE SAKPINAR,MEHMET
NEMUTLU, ALPER MARAL, TOLGA TÖZÜN, analog suicide BATUR SÖNMEZ, string quartet 2003, pentagramme
2005, dialog a tre 2004,pentagramme 2006 ZEYNEP GEDIZLIOGLU, rituelle 2005 KARLHEINZ ESSL, ORNETTE
COLEMAN, CECIL TAYLOR, ANTHONY BRAXTON, TERRY RILEY, PHILIP GLASS, JOHN ZORN, DON
CHERRY, ARNOLD DREYBLATT, MARCO OPEDISANO, banyoda müzik 2004 HALE BIRGUL, CAN
TATLIPARMAK,musiki 1988 HUSEYIN ERTUNC, galata perform'da 4lü laptop+guitar 2005 , con-structure1
KORHAN EREL, SEVKET AKINCI, sextet 2006 ISLAK KOPEK, ROBERT REIGLE, in case of fire take the steps
-laptop music- NEUMANN ANDREA, KAFFE MATTHEWS, OGUZ BUYUKBERBER, VOLKAN TERZIOGLU,
SARP MADEN, SAMI ALEMDAG, dying ceremony 2005 ALI PERRET
REAL VIRTUALITIES IN INTERACTIVE MEDIATIC FORMATS BOTH ON EARTH AND IN THE
CYBERSPACE WILL SURELY BUILD UP STRONGER LINKS AND BEAUTIFUL COMMUNICATIONS OF
HUMAN ITEMS AND INQUIRING AVANTGARDE SYMPTOMS
re are ourdear cellis (betin gunes, judith ulug 8.30, eternal sea IE pebbles -1962- 13.40, bulent arel -mimiana II- 1960 15.00, john cage -sonatyas and interludes for prepared pianos 1 & 1 -4.51, four walls richard bunger piano, fontana mix,
string quartet in 4 parts, theatre of voices paul hiller with terry riley -lytany for the whale, music of changes (1951) herbert
henck piano buch III -10.41, christian wolff -for pianist (1959) 14.36 frederick rzewski, gyorgy ligeti -studies for piano
-disorders-fanfares-autumn in warsaw, conlon noncarrow -studies for player piano, pierre boulez -csonata for piano
(1955-57) edgar varese -density for flute 36 & ionisation 5.27, cornelius cardew -the scratch orchestra- the great learning,
morton feldman plays jcage -double music- 5.21, mete sakpinar -once upon a- 8.00, hyperflute 6.00, viola dijitale 6.50,
water 8.20 zeynep gedizlioglu -string quartet 7.30 (2003) pentagramme (2005) 12.00, 8.00 ali perret -zero generation-
(2005) dying ceremony 7.00 marco opediasano -movements of guitar (2002) 4.00 hale birgül (2003) c.wolff set up for
music in bathroom 8.37, wetdogs 2006 sextet music 8.50 anthony braxton quintet 2004 live at the royal john coltrane bye
bye blackbird 17.56, lawrence butch morris -conduction no.92- 10.37, caffe matthews and andrea neumann -in case of fire
take the stairs- laptop music tracks, robert van heumann and oguz buyukberber -news from holland -volume I -office-r
extended- huseyin ertunc trio (1984)-musiki- ertunc on drums
HOWEVER VERSIONS OF NMK CLIPS INCLUDE DIFFERENT COMPOSERS IN A VARIETY CHOICE OF
SUCCESSION ALTERNATIVES
Posted by teoman madra at 2:19 PM 0 comments
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texts and observations extracted from random contents of www.newmediakitchen.com -21.10.06-
TEKNOLOJIK AYGITLAR EGEMENLIGI SORUNU DENEYSEL-YARATICI KULLANIMLA ÇÖZÜLÜR DIYORUZ >> THE DOMINANCE OF NEW TOOLS OVER US WILL BEST BE ANNULLED THRU EXPERIMENTAL CREATIVITY >>
exact pathway to all cultural developments, more contemporary arts and new technologies with vital investments to research centers. Next to new music all traditional turkish music education centers will interactively be encouraged just the same... More technology will allways support better creativities, more music and new speculations just next to it
DESPERATELY MISSING MY RELIGION INHERITANCE OF EARLY 20TH CENTURY/
because in the internet everything needs to be suitable and fitting to it, experimental etc.
WITHIN THE DEMOCRACY, IN THE RELATIVELY ILLITERATE CIRCLES THE POLITICAL PARTIES INITIATED EXPLOITING THE ISLAMIC PEOPLE BOTH FOR THEIR POTENTIAL HUNGER FOR CONSERVATISMS AND FOR SOME STRONGER RELIGIOUS PROTECTIONS FOR OVER SIXTY YEARS JUST TO BUY UP MORE VOTES ON THEIR WAY TO THE PARLIAMENT
the new technology needs your experimental, personal and aesthetic interests in order to escape conformity contemporary music today is a base to all your artistic works...ve gerçekten ciddi durumlar >> contemporary art in turkey >
SYNERGY: This kind of thing happens in improvisation. Two things running concurrently in haphazard fashion suddenly synchronize autonomously and sling you forcibly into a new phase.
� Cornelius Cardew (1971:xvii)
Buckminster Fuller describes synergy as the behavior of whole systems unpredicted by the behavior of their parts taken separately. Adopting this general orientation, the theoretical physicist Hermann Haken (1987) has introduced the concept of synergetics to name a new unifying trend in science.1 The basic goal of synergetics is to explore the general ideas, laws, and principles of self-organization across various fields of human knowledge, from the natural sciences to the humanities. The world as we know it has seemingly come into being and developed through an endless chain of self-organizing processes, from the formation of galaxies and stars to the development of biological and social structures. A synergetic style of thinking and inquiry is beginning to infuse ever wider fields of human knowledge.
teoman madra: MULTIMEDIA ARTS BEING INTERDISCIPLINARY PROVIDING INTERACTIVE APPLICATIONS BETWEEN e.g. NEW MUSIC, MODERN DANCE AND PHOTOGRAPHY and MAYBE MINIMALLY DESIGNED SPACES .... architectural creative designs for museums; dance platforms, audio-visual performances do need creative designs both online and virtual or also real as related communications items...
ACTUALLY THE WORKSHOP CONTRIBUTIONS DO NOT NEED TO BE MOST RADICAL AND EXACTLY WITHIN STRICT TRACKS OF MIND... ALL INPUTS FOR INTERACTIVE POSSIBILITIES OF INTERDISCIPLINARY NEW MEDIA ART WORKS WILL ALSO BE FREELY WELCOME... RESPONDING WITH CREATIVE CONTRIBUTIONS WILL NEVER BE MISJUDGED WHILE IT WILL SMOOTHLY BE SUBJECTIVELY FALLING IN LINE WITH THE OTHER IN SITU STATEMENTS AND ART WORKS INDEED AND WILL FALL IN LINEARITY IN THE OVERALL PERSPECTIVE OF ARMAS
UCSD is ORGANIZED REAERCH UNIT to foster advanced research and production at the crossroads between digital technology and new art forms. Current areas of interest include interactive networked multimedia, virtual reality, computer-spatialized audio, and live performance techniques for computer music and graphics.
TODAY THERE IS AN ENTIRE AREA OF ART IN WHICH ARTISTS WORK ON COMPUTERS A LOT. BUT THEY NEED TO PENETRATE THE SOFTWARE MÖRE OR LESS/
NOW THE MACHINES MIGHT BLIND US -THEY HAVE SO MUCH TO TELL....they create their own kind of presence - digital technology is like the icing of the cake - Today Art is being instrumentalized beyond recognition Maybe the pride of contemporary arts has masked its failure and weakness... you have the inflation of the dealers ... art is becoming incinillary to capitalism and turns into some of a black hole - there is no more an artist life left to him
But you can always be creatively within the technology if you want to be the new media artist or a net artist of the cyberspace
RECENTLY ART HAS BECOME UNCULTIVATED
we have returned to a nihilism of another kind, or consumerism or technological revolution... contemporary art which no longer permits interpretation except for the accident of knowledgeVideo images and infographic images are images that speak... the sky has the color of TV Synchronizing the vision and the audition becomes a challenge mostly in realtime or in interactivity...IN THE CINEMA WHEN THE IMAGE STARTED TO SPEAK THEN PLATO'S CAVE AND SYBEL'S CAVE GOT SUPERIMPOSED... THE VISUAL ARTS THUS YIELDED TO THE AUDIO-VISIBLE ENDING UP IN A PROCESS OF SIMULTANEOUS INTERACTION THROUGH TELE-ACTION... CONCEPTUAL ART WAS AN ATTEMPT TO BRING ART INTO THE PHILOSOPHY .... frank gehry is not any longer conceptual artist and is back to formalism... AESTHETICS HAS BECOME A MACHINE PHENOMENON... BUT WE MUST NOT LYE BEFORE THE MACHINES WE MUST FIGHT THEM.....
herefore it has become crucial to have ongoing debates on the type of research and technology we want to develop, and on how to apply it. The objective of Science Café Copenhagen is to create a public forum for debate. We wish to disseminate and mediate information on scientific issues, as well as to discuss their impact in a broader societal context. Having said so, we do not believe that such communication can be effectively carried out through didactic lectures to a wider clientele of � already � interested people. The underpinning concept of the Science Café is that knowledge dissemination and mediation should reach a broad public, which involves reciprocal commitment.i
in short, fundamentalists have become no different than the "godless" Stalinist Communists, to whom everything was permitted since they perceived themselves as direct instruments of their divinity, the Historical Necessity of Progress Toward Communism.
What makes modern Europe unique is that it is the first and only civilization in which atheism is a fully legitimate option, not an obstacle to any public post. Atheism is a European legacy worth fighting for, not least because it creates a safe public space for believers.
anxiety of DISCOVERY
disappointment of defeat and joy of success
INTIUTION, IMAGINATION and EMOTION
computers do not evoke any emotion, but if you make mistakes you are liable to make art
ART ALWAYS REMAINS TO BE SOMETHING COMPLETELY DIFFERENT FROM MATHEMATICS
new way of doing graphics is computer graphics and artists use of computer graphics are self enhanced events
THE INEXPLICABILITY OF THE SPACE / The remoteness and the nearness of infinity / limitations without boundaries / disjunctive and disparate multipilicities / COHERENT AND UNIFIED ENTITIES / IDENTICAL SHAPES RENDERED WHOLY DIVERSE BY MEREST INFLECTIONS
NEW COMPUTER ART WORKS 2006 WITH RANDOM SOFTWARE CONFRONTATIONS
DEALING WITH FREEHAND 9 of macromedia, they are the correct tools to do artistic graphics with, indeed... very astonishingly precise... very experimental handling with many features encounter thereabouts mathematical tensions of the pc computers into joyful balances... HERE WE SEE A SERIES OF SUCH COMPOSITIONS WITH AMAZING VISUAL INTER-PENETRATIONS OF SOME KIND
Velocity' is the key word of his thinking, the post-modernity treasure, and the modern society capital. Reality is no longer defined by time and space, but in a virtual world, in which technology allows the existence of the paradox of being everywhere at the same time and being nowhere at all. The loss of the site/city/nation in favour of globalisation implies also the loss of rights and of democracy that is contrary to the immediate and instantaneous nature of information. McLuhan's global village is nothing but a 'World Ghetto'.
Journal for Nanoscience and Nanotechnology (JNN) is an international and multidisciplinary peer-reviewed journal with a wide-ranging coverage, consolidating research activities in all areas of nanoscience and nanotechnology into a single and unique reference source. JNN is the first cross-disciplinary journal to publish original full research articles, rapid communications of important new scientific and technological findings, timely state-of-the-art reviews with author's photo and short biography, and current research news encompassing the fundamental and applied research in all disciplines of science, engineering and medicine.
http://www.solgel.com/Resources/journals/jourframe.htm
Imperialism and the Fantasies of Democracy
Speakers: Ernesto Laclau
Ella Shohat
Antonio Callari
Rethinking Communism
Speakers: Susan Buck-Morss
Kojin Karatani
Stephen Cullenberg
The Power of the Left Media
Speakers: Liza Featherstone
Sut Jhally
Trebor Scholz
-you can always google surf also-
